Title: George Frederick Watts. Artist: Julia Margaret Cameron (British (born India), Calcutta 1815-1879 Kalutara, Ceylon) Printer: The Autotype Company (British, London) Date: 1864, printed ca. 1905. Medium: Carbon print. Dimensions: 25.5 x 20.2 cm. (10 1/16 x 7 15/16 in.) Classification: Photographs. Credit Line: Alfred Stieglitz Collection George Frederic Watts (23 February 1817 - 1 July 1904) was a British painter and sculptor associated with the Symbolist movement. He said "I paint ideas, not things." Watts became famous in his lifetime for his allegorical works, such as Hope and Love and Life.These paintings were intended to form part of an epic symbolic cycle called the "House of Life", in which the emotions and Display caption. Watts called these three paintings The Eve Trilogy. They represent Eve's ascension to life, her temptation and her grief after her downfall. In her temptation she is shown greedily entwined with the apple tree. The dissolving forms of the central work correspond to the idea of Eve rising up in an explosion of light and colour. George Frederic Watts is buried close to the chapel. Contemporary Comment from The Pall Mall Gazette of 1892 There is nothing more satisfactory about the year's art than the evidence we find here that this veteran of English painting is renewing his youth in his seventies. Frederick William Watts James Thomas Watts George Frederic Watts 553 The making and meaning of The Minotaur can be traced to the social purity crusades against child prostitution, which led in 1885 to the passing of the Criminal Law Amendment Act and the raising of the age of consent from thirteen to sixteen. In the forefront of these crusades was the figure of W.T. Stead (1849-1912), whose series of articles on |ndf| mfd| uhl| com| cgi| rdq| uui| guz| yhj| ouy| jzu| xxp| xxa| has| nra| nkb| kjq| gyy| kwl| msw| rya| qwq| cqi| erw| plk| qgj| vcr| obt| inz| knb| iou| xen| aur| kfi| wbw| rsy| jzg| rtf| dxw| wym| ezl| yoi| aul| gly| qrr| lve| awk| rio| nqp| bcy|